Anthony Cudahy: Spinneret: Organized by the Ogunquit Museum of American Art, Maine and curated by Devon Zimmerman, Curator of Modern and Contemporary Art
Current exhibition
Works
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Anthony Cudahy, Against Gardening!, 2023-2024
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Anthony Cudahy, Annunciation scene (with Billy Sullivan photograph), 2023
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Anthony Cudahy, Anti-bausor tree, 2021
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Anthony Cudahy, Blue Crop, 2021
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Anthony Cudahy, Blue Ian with flower, 2020
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Anthony Cudahy, Circle Game, 2019
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Anthony Cudahy, Diane (night), 2021
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Anthony Cudahy, Duo with web, 2021
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Anthony Cudahy, Eroded Beach, 2023
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Anthony Cudahy, Ian backlit (yellow), 2024
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Anthony Cudahy, Ian's wound, 2019
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Anthony Cudahy, Jarman in Dungeness, 2022
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Anthony Cudahy, Lily and mirror with Apocalypse Tapestry, 2022
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Anthony Cudahy, Lily and snake bundle ("And she took the time to believe in what she said and"), 2021
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Anthony Cudahy, open window (blue, blue room), 2022
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Anthony Cudahy, People Spiral, 2020
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Anthony Cudahy, Press, 2020
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Anthony Cudahy, Reader, 2022
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Anthony Cudahy, Self-portrait with ladder (for Joan Brown & Francis Bacon), 2021
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Anthony Cudahy, Seneca and iris, 2024
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Anthony Cudahy, singled, 2020
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Anthony Cudahy, Sunset, 2020
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Anthony Cudahy, Tempest (rooftop), 2020
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Anthony Cudahy, The painter (Jenna Gribbon pointing to Friedrich), 2022
Overview
Through his art, Cudahy explores the hazy slippages of subjectivity in the digital age. The artist anchors his compositions to passages of gentle tenderness, absent-minded repose, or banal isolation; prosaic instances that often carry the greatest poetic weight.
Anthony Cudahy: Spinneret draws inspiration from—and is named for—the silk-producing organ that spiders use to weave, or spin, their webs. Cudahy’s figurative paintings piece together enigmatic scenes of specific objects and equivocal environments from interwoven references drawn from Queer archives, art history, film, poetry, friends, and his own autobiography. His fluid application of paint and idiosyncratic palette—at moments sullen, earthen, corporeal and at others high-key, acidic, artificial—animates the ongoing push and pull between the real and surreal across his practice.
Installation Views
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
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Installation view, Anthony Cudahy: Spinneret, 2024. Photo: Evan Sheldon.
Press release