Full and Pure: Body, Materiality, Gender: Curated by Mara Hassan
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Linus BorgoBlueprints, 2021Oil on canvas40 x 30 inches
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Ludovic NkothHolding on to Hope, 2020Acrylic and sand on canvas60 x 48 in.
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Nicole EisenmanMaquette: Sketch for a Fountain (Standing Man), 2018Bronze
Edition 2 / 4, 2AP42 x 19 x 16 inches
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Ren Light Pansleep painting - 02.14.15, Irvine, CA, 2015Water, 98.6 F (37 C), loneliness, and ink on canvas72 x 40 inches
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Ren Light Pansleep painting (RETURN, REBORN) – 11.01.21, NY, NY, 2021Water, 98.6 F (37 C), transgirl, and ink on canvas; syringes, photoluminescent pigment78 3/4 x 59 inches
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Christina QuarlesA Head of Ourselves (Lez We Get), 2020Acrylic on canvas
62 x 50 inches
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Willa WassermanSelf portrait in a convex mirror, 2021Oil on poplar
12 x 12 x 2 inches -
Jarrett KeyCrossing the Bank (Going In, Going Up), 2022Oil on panel
60 x 48 inches
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Devan ShimoyamaTempérance, 2022Oil, colored pencil, glitter, jewelry, silk flowers, sequins, collage, Flashe, acrylic, and embellishments on canvas84 x 68 inches
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Alannah FarrellAlex, Resting, 2022Oil, acrylic, spray paint, and latex on canvas50 x 78 inches
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Hugh SteersWhite Gown, 1994Oil on canvas
78 1/8 x 64 1/8 inches -
Marcel AlcaláSisters of Bakers Beach, 2021Oil on canvas
48 x 36 inches
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ShikeithBrandon (holding clay), 2020Archival Inkjet Print on Canson Infinity Platine
36 x 30 inchesEdition of 5 plus 2 artist's proofs -
Joan SemmelUntitled, 1971Oil on canvas
69 x 58 inches -
Felipe BaezaXipe Tótec Rojo, 2017Ink, graphite, acrylic, twine, glitter, cut paper, and egg tempera on 2 sheets of adjoined paper60 1/2 x 43 3/4 inches
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Kiyan WilliamsSentient Ruin 2, 2022Earth, binder, chrome, synthetic hair, steel base, and armature72 x 27 x 30 inches
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Ida ApplebroogMonalisa, 2009Mixed media on canvas31 3/8 x 37 1/8 inches
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Seba CalfuqueoKowkülen (Liquid Being), 2020Video, 1920×1080, HD, 3 minutes.
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Nash GlynnSunset, 2021Acrylic on canvas30 x 40 inches
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Maria LassnigDie Junggesellin, 2004-2005Oil on canvas80 3/10 x 60 2/3 inches
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Breyer P-OrridgeAlchymical Wedding (Study), 1997-2012Hot-rolled steel frame, hand blown glass, cork, hair, nails, skin11 1/2 x 14 x 11 1/2 inches
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Ana MendietaUntitled (Glass on Body Imprints), 1972 / 1997Suite of six color photographsEach: 16 x 20 inches; 20 x 16 inches
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Daisy ParrisPoem For it All, 2022Oil, acrylic, and canvas on faux fur70 7/8 x 59 inches
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Leslie MartinezLatent and Supine, 2022Fabric, paper scraps, charcoal, fine ballast, pumice, and acrylic on canvas96 x 144 x 5 inches
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Maja RuznicThe Poet, the Mother and the Search, 2017Oil on canvas96 x 72 inches
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Diana Al-HadidLionless, 2013Polymer gypsum, fiberglass, steel plaster, and pigment64 x 58 inches
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Blake DanielsLibation Bearers, 2023Oil on linen59 1/4 x 47 1/4 inches
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George RouyLate Nights, 2022Oil and acrylic on canvas78 3/4 x 66 9/10 inches
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Chiffon ThomasRuse, 2023Charred driftwood, hydrocal, acrylic inks, White Sox fitted cap, cinderblocks35 x 30 x 16 inches
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Helen FrankenthalerRed Outline, 1961Oil and crayon on sized, primed linen54 3/4 x 49 inches
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Patricia Ayres7-5-18-20-18-21-4-5, 2021Elastic, paint, ink, dye, anointing oil, iodine, metal hardware, thread, wood, padding, and foam14 1/2 x 33 x 35 inches
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Manuel NeriPecadoras Series III (A/P II), 2001Bronze31 1/4 x 6 1/4 x 5 1/2 inches
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Lydia PettitCovet 1, 2022Oil on canvas27 1/2 x 19 3/5 inches
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Ilana SavdieA wavering wound lies (about longing), 2022Oil, acrylic, and beeswax on canvas stretched on panel34 × 24 inches
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Mark Aguharis consistency and fixedness a mark of personhood, 2011
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Mark AguharJUST BECAUSE I WANT TO DESTROY YOUR SENSE OF BODILY SELF DOESNT MEAN I DONT VALUE YOU AS A PERSON, 2011
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Mark AguharMY FAVORITE THING ABOUT PEOPLE CHANGING THEIR APPEARANCE IS THE RESISTANCE THEY MEET FROM PEOPLE WHO EXPECT THEM TO LOOK A CERTAIN WAY, 2012
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Mark AguharTAKING CONTROL OF MY PHYSICAL BODY IS THE ONLY WAY FOR ME TO EXERT AGENCY IN A WORLD DESIGNED TO DEMOLISH MY PERSONHOOD, 2011
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Mark AguharWHEN I BRUSH MY HAIR I IMAGINE WITH EVERY STROKE THAT EVERY PERSON WHOS MADE ME FEEL LIKE LESS THAN A PERSON IS GAGGING, 2011
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Puppies Puppies (Jade Guanaro Kuriki-Olivo)GREEN, 2022
Maybe part of the human condition is to perpetually crave a tomorrow that would bring all that today falls short of delivering. If so, Full and Pure: Body, Materiality, Gender is just another expression of such an intuitive yearning.
Full and Pure: Body, Materiality, Gender explores the scene of deliverance by reflecting on the becomings of gender, bodies, and materiality. This exhibition is comprised of the works of 37 intergenerational artists creating in a range of mediums: from poetry, video, and sculpture, to painting, photography, and installation. Every work speaks to some combination of the three axes around which this exhibition is centered: the somatic, materiality, and gendered embodiment. All three are reconsidered in their most generous forms through processes of abstraction and experimentation. Indeed, this exhibition articulates that the body’s capacities must be reconceptualized expansively; that gender’s true nature exceeds digestible clarity; and that materiality’s potential can’t be fully appreciated without also recognizing its autonomy. It is upon these undeniable truths that Full and Pure’s tomorrow is predicated.
Artists Include:
Mark Aguhar
Diana Al-Hadid
Marcel Alcalá
Ida Applebroog
Patricia Ayres
Felipe Baeza
Linus Borgo
Seba Calfuqueo
Blake Daniels
Anaïs Duplan
Nicole Eisenman
Alannah Farrell
Helen Frankenthaler
Nash Glynn
Jarrett Key
Maria Lassnig
Leslie Martinez
Ana Mendieta
Manuel Neri
Ludovic Nkoth
Breyer P-Orridge
Ren Light Pan
Daisy Parris
Lydia Pettit
Puppies Puppies (Jade Guanaro Kuriki-Olivo)
Christina Quarles
Mosie Romney
George Rouy
Maja Ruznic
Ilana Savdie
Joan Semmel
Shikeith
Devan Shimoyama
Hugh Steers
Chiffon Thomas
Willa Wasserman
Kiyan Williams
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Installation view, Full and Pure: Body, Materiality, Gender, 2023. Photo: Evan Sheldon.
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Unbounded Forms: “Full and Pure: Body, Materiality, Gender” at the Green Family Art Foundation, Dallas
Emma S. Ahmad, Glasstire, August 29, 2023 This link opens in a new tab. -
In Full and Pure, Green Family Art Foundation takes a powerful view of gender fluidity
Eve Hill-Angus, Patron Magazine, June 2, 2023 This link opens in a new tab.
The Green Family Art Foundation is pleased to present Full and Pure: Body, Materiality, Gender curated by Mara Hassan, opening on June 10, 2023, and remaining on view until September 24, 2023. Please join the Green Family Art Foundation for the opening reception of Full and Pure on Saturday, June 10 from 5-8 PM at 2111 Flora Street, Suite 110, Dallas, TX 75201. Opening reception is free and open to the public, no RSVP required.
Full and Pure: Body, Materiality, Gender presents a survey of contemporary art reflecting on the malleability of selfhood, gendered corporeality, and aesthetic forms. This intergenerational group of artists explores the mutability of the somatic, gender, and matter, reconsidering the possibilities of the self as an inquiry into what the future can hold for us. Artists in Full and Pure include:
Mark Aguhar | Helen Frankenthaler | Christina Quarles |
Diana Al-Hadid | Nash Glynn | Mosie Romney |
Marcel Alcalá |
Jarrett Key | George Ruoy |
Ida Applebroog | Maria Lassnig | Maja Ruznic |
Patricia Ayres |
Leslie Martinez |
Ilana Savdie |
Felipe Baeza |
Ana Mendieta |
Joan Semmel |
Linus Borgo |
Manuel Neri |
Shikeith |
Seba Calfuqueo |
Ludovic Nkoth |
Devan Shimoyama |
Blake Daniels |
Breyer P-Orridge |
Hugh Steers |
Anaïs Duplan |
Ren Light Pan |
Chiffon Thomas |
Nicole Eisenman |
Daisy Parris |
Willa Wasserman |
Alannah Farrell |
Lydia Pettit |
Kiyan Williams |
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Puppies Puppies (Jade Guanaro Kuriki-Olivo) |
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About the Curator:
Mara Hassan is a curator, writer, and art historian. She is currently pursuing a PhD in the Department of Art and Art History at Stanford University. Her research focuses on queer and gender-variant potentiality in modern and contemporary conceptual portraiture. After receiving her BA in Art History and Queer Studies from UCLA, she completed a post baccalaureate research fellowship at the University of Pittsburgh. Her curatorial research and writing has supported institutions such as the Hammer Museum, ONE Archives, Los Angeles Contemporary Exhibitions, the Mattress Factory, and more.
About the Green Family Art Foundation:
The Green Family Art Foundation is a non-profit 501(c)(3) organization.
The foundation's mission is to provide a venue for, make grants to museums for the benefit of, and educate others about contemporary artists we believe communicate important ideas that are relevant and discussion worthy today and in the future.
The exhibition is located at 2111 Flora Street, Suite 110, Dallas, TX 75201. Hours are Wednesday-Friday, 11am-5pm and Saturday-Sunday, 11am-6pm. Admission is free.
For press inquiries, please reach out to info@greenfamilyartfoundation.org or call 214-274-5656.